Wednesday, September 26, 2018

Reading is Fundamental

I haven’t done a ton of writing lately. I've actually been doing some reading.

Most recently, in that's it's ongoing, I've read Hank Green's An Absolutely Remarkable Thing. I started it last night, and I'm almost done with it. It. Is. Fantastic. Narratively, it's fascinating. It has a habit of telling you about things before they come up in the story, but it doesn't make it any less exciting when it does come up. Like, something will be mentioned, and it piques your interest, and you want to know what on earth that's about. Then it gets to that point, and it's still all, "Oh shit! That happened!" I'm explaining this terribly. But it’s fucking great. And it includes all these elements of modern culture, like the internet and social media, that makes it all seem kind of… possible.

Seriously, if you are a fan of… books that are good, read it.

The other thing I read recently was not a book. Not a real one. Not a complete one. I had opened it up when I was looking for excerpts for my last post. It's Cape Nowhere, my 2012 NaNo novel.

Wednesday, September 19, 2018

Finding a Voice

Sorry there was no post last week. I had a lot going on.

Narrative voice. That's why we're here today.

I'm sure I've talked about this before, but A) I'm too lazy to verify that, and B) it's an ongoing problem, so it bears repeating.

What I mean is the voice that the narrated bits (not the dialogue bits) are in. If you're writing in first person, then that's one of your characters. Otherwise, it's just this nebulous narrator figure. But just because they don’t have a body or a face doesn't mean that they don't have a personality and a voice.

My problem lies in the fact that my narrative voice tends to have no personality. It's just this flat, clinical description. And when it's not, then it's… wrong. Like a lack of cold professionalism is childish.

Wednesday, September 5, 2018

The Horror!

Unrelated to absolutely everything I've been up to lately, horror is hard to write.

I mean, I guess The Long Road has horror-ish elements (like whatever the fuck the sheriff of Maranatha is), but I wouldn't call it horror.

Horror movies are easy. Shitty horror movies, anyway. You throw in a creepy soundtrack, some jump scares, and you're done. Startling, at any rate, is easy on film.

You can't startle with a book. Words don't jump out at people. With a book, you've gotta be all atmospheric and build tension. With words! It's hard.