Showing posts with label Dialogue. Show all posts
Showing posts with label Dialogue. Show all posts

Tuesday, July 25, 2017

Nothing Left to Say

When I set out on this quest to combine three genres into a single frankensteined project, I thought that it would be equal parts of each. One third subterranean fiction, one third occult detective, and one third romance. All equally represented.

But what it's turning out to be is 70% subterranean (they are underground, after all), 25% occult detective, and 5% romance. Is that bad? I don't know. Probably.

I've reached the point where they're about to go up against the Low Dwellers (carnivorous beasties), and the romantic arc has progressed… barely. They're maybe starting to grow closer, but sparks aren't exactly flying here.

Friday, July 22, 2016

Look Who's Talking

I'm terrible at describing things. We've been over that. But that means that my stories are powered by action, murder, and dialogue. Lots and lots of dialogue.

The trick with that is that each character has to have their own unique voice, that somehow stands out from the others. But if I'm not careful, all the characters end up sounding like me, and that's no good. You have to think about each character's personality and background. How will that influence how they speak? Are they very upright and proper, or do they use a lot of slang? Is English their native language? How do they react when startled or hurt? Drop something on their head, and you'll see their true colors.

In my current story, my main character, Rachael, speaks in a pretty straightforward, yet casual manner. She doesn't use a lot of fillers (things like "um" and "you know"). She also tends to speak in short bursts. Just a few sentences, not much of a rambler.

Example: “I feel terrible about all this. Can I buy you a cup of coffee or something? There’s a place across the street…”

Martin, on the other hand, is made of fillers and rambling. It's like he wants to cram as many words into each sentence as possible. I have to actually hear it in my head before I can write it, but it's a lot of fun figuring out how he would say something.

Example: “Well, you know, really, it was just the once. I mean, there we are, back seat of her car, trying to get things in place for… you know. Anyway, things go a bit awry, I try to adjust, and next thing you know, she’s got a bloody nose. I tried to help as best I could but, well, she didn’t call me again after that.”

I think I've mentioned before that I mentally cast all my characters, like the story is a movie in my head. This helps me keep track of what they look like, but it's also super helpful in figuring out the voices. There is an actual person that I can hear. Several actual persons. And they sound different from each other. Is this cheating? Maybe. Maybe I'm taking the easy way out with character creation. But I've got a lot of people to kill. I don't have time to dream this all up from scratch.

And I'm not going to share these placeholder people, because I think the reader should be allowed to interpret things as they like, and not be forced to imagine things exactly the way I imagine them. That would be an exercise in futility anyway.

I'm still way behind on word count. Wish me luck, and I'll see you Tuesday.